All articles tagged with #film direction
Denis Villeneuve, director of "Dune," expressed disinterest in directing a "Star Wars" film, citing that the franchise was "derailed" by "Return of the Jedi" in 1983, which he felt turned into a "comedy for kids" and became too predictable. Villeneuve, who is not a "Star Trek" fan either, is focused on developing a third "Dune" movie based on "Dune Messiah," aiming to create something distinct with its own identity.
Viggo Mortensen's "The Dead Don’t Hurt" is a multifaceted western where he not only stars but also directs, writes, and composes the score. The film features a complex narrative structure, focusing on a bereaved sheriff and his partner, Vivienne, as they navigate life and justice in a lawless town. Despite its intricate storytelling, the strong performances make it a compelling watch.
Martin Scorsese narrates a scene from "Killers of the Flower Moon," explaining the purposeful camera movements and angles used to create tension and focus during an interrogation sequence involving Leonardo DiCaprio's character. Scorsese describes the circular ballet-like shot and the decision to maintain stable images throughout most of the film to evoke the feel of old photographs, with this particular scene calling for a change in approach to convey the tightening circle of characters.
Jonathan Glazer's directorial presence is characterized by a palpable sense of emptiness and sensations of stalking and surveillance, as seen in his work including The Zone of Interest. The film, a surprise Best Picture nominee, is a radical exploration of form, delving into the self-hypnotizing nature of evil and the limits of control. Glazer's deliberate use of negative space and soundscaping creates an unsettling and atmospheric experience, while his deployment of a thermal imaging camera and bursts of color and music deepen the film's impact. The Zone of Interest is a triumph of technical prowess and a haunting exploration of individual and collective complicity in the context of the Holocaust.