All articles tagged with #cinematography
The article is a personal reflection on filmmaker Béla Tarr's relentless pursuit of cinematic perfection, his mentorship, and his influence on the author's approach to film, highlighting Tarr's dedication to craft, authenticity, and the challenges faced during ambitious projects like 'The Man from London.'
Nia DaCosta's film 'Hedda' uses innovative cinematography techniques like Cinefade and double dollies to visually express Hedda's volatile inner world, emphasizing her unpredictable nature through creative camera work and lighting, all grounded in character-driven storytelling.
Yorgos Lanthimos shot his film 'Bugonia' in VistaVision to create a microcosm within a basement setting, using the large-format film to amplify the film's intense environment and big themes, despite the challenges posed by the format's size and noise.
Matthew Libatique discusses his collaboration with Spike Lee on the film 'Highest 2 Lowest,' highlighting Lee's fearless directing style, innovative shooting techniques in New York City, including on live subway cars and during the Puerto Rican Day Parade, and working with Denzel Washington. The film, a reinterpretation of Kurosawa's 'High and Low,' features impressive action sequences and was shot across Manhattan and Brooklyn, overcoming NYC's logistical challenges. Libatique also touches on the impact of AI in filmmaking and his ongoing projects.
Rumors suggest ARRI may unveil the ALEXA 35 Xtreme, a high-speed camera capable of capturing footage at 500 fps or more, building on the current ALEXA 35's capabilities, to meet the growing demand for ultra-slow-motion and high-frame-rate cinematography.
Apple developed a custom camera using an iPhone 15 Pro sensor and components to capture high-quality onboard footage for the Brad Pitt F1 movie, addressing the limitations of standard broadcast cameras for Hollywood-level cinematography, while ensuring it could withstand the rigors of high-speed racing.
The article discusses the cinematography and production techniques of 'Andor,' highlighting its use of real sets, CGI, and collaboration across teams, and compares it to other Star Wars media, emphasizing its high quality, storytelling depth, and the challenges of filming and lighting for streaming platforms. It also reflects on the franchise's history, fan reception, and the show's impact on the Star Wars universe.
RaMell Ross's film "Nickel Boys," adapted from Colson Whitehead's novel, is a groundbreaking cinematic work shot entirely from a first-person perspective, offering a unique, intimate view of its characters' experiences in a Jim Crow-era reformatory school. The film, praised for its innovative approach and thematic depth, is a strong contender for major awards, including the Oscars. Ross, known for his documentary "Hale County This Morning, This Evening," collaborated with cinematographer Jomo Fray to overcome significant technical challenges, creating a film that redefines the language of cinema.
Robert Eggers' "Nosferatu" is a remake of the 1922 silent classic, offering a fresh take on vampire lore by stripping away clichés and focusing on gothic melodrama. The film, set in the 19th century, features Nicholas Hoult as Hutter and Bill Skarsgård as the Dracula-like Count Orlok. Eggers' direction emphasizes period authenticity and atmospheric horror, with a focus on themes of control and desire rather than mere seduction. While it revisits familiar Dracula tropes, "Nosferatu" stands out for its depth and innovative exploration of vampire mythology.
A new film adaptation of 'Sunset Boulevard' features an impressive six-minute sequence involving 62 people, showcasing the intricate choreography and coordination required in modern filmmaking. This ambitious scene highlights the dedication to capturing the essence of Hollywood's golden age while pushing the boundaries of contemporary cinematic techniques.
Alec Baldwin was not invited to the world premiere of his film "Rust" at the EnergaCamerimage film festival in Poland, as organizers felt his presence would be too distracting. The film, which resumed production after the fatal on-set shooting of cinematographer Halyna Hutchins, was completed with the support of Hutchins' family, despite their absence at the premiere. The decision to screen "Rust" was controversial, with some viewing it as inappropriate due to the circumstances of Hutchins' death. The film's completion was seen as a way to honor Hutchins' work and support her family.
The film 'Rust,' which faced controversy after the fatal on-set shooting of cinematographer Halyna Hutchins by Alec Baldwin in 2021, is set to premiere at the Camerimage film festival in Poland. Despite legal battles and emotional challenges, director Joel Souza continued production to honor Hutchins' work. The film's premiere has sparked mixed reactions, with some seeing it as a tribute to Hutchins, while others, including her family, criticize it as exploitative. The festival also faced backlash over unrelated comments by its founder, which were deemed sexist.
Francis Ford Coppola's 1992 film "Bram Stoker's Dracula" is a visually striking adaptation of the gothic novel, reimagining Dracula as a tragic war hero. The film, brought to Coppola by Winona Ryder, features Gary Oldman as the titular vampire and utilizes turn-of-the-century camera techniques to pay homage to early cinema. Known for its erotic visuals and Oscar-winning costumes by Eiko Ishioka, the film explores themes of love, loss, and time, reflecting Coppola's personal and artistic journey.
The 32nd EnergaCamerimage festival opened in Torun, Poland, with director Marek Żydowicz emphasizing the event's mission to honor overlooked talents, amid controversy over his recent comments on gender representation in film. Żydowicz's remarks, perceived as misogynistic, drew criticism from various cinematography groups. Despite the backlash, the festival continues with notable figures like Cate Blanchett leading the jury and Hiroyuki Sanada receiving an award. The festival runs until November 23, with some filmmakers withdrawing in protest.
The second season of Apple TV+'s dystopian sci-fi drama "Silo" has premiered, expanding its narrative and visual style beyond the original setting. Cinematographer Baz Irvine discusses the new season's cinematography, which includes a shift to widescreen format, different lenses for a retro feel, and a more visceral approach to filming. The story continues with Juliette Nichols exploring a new silo, Silo 17, which has been unoccupied for 35 years, presenting unique visual challenges and opportunities for the series.