The article highlights five limited-time Broadway shows—Beetlejuice, Waiting for Godot, Liberation, Mamma Mia!, and Oedipus—that are ending their runs soon, urging theater enthusiasts to see them before they depart.
Bill Condon, a renowned filmmaker known for musicals like Dreamgirls and Beauty and the Beast, discusses his passion for adapting musicals to film, the challenges of the genre, and his upcoming projects, including Kiss of the Spider Woman, which explores themes of gender fluidity and political repression. He emphasizes that people secretly love musicals and highlights the importance of permission and fantasy in enjoying them, while also reflecting on the genre's fluctuating popularity and his approach to reviving classic musicals.
Paul Mescal, known for his emotionally intense roles, is portrayed as a soulful and deeply sensitive actor who loves music, musicals, and exploring profound human emotions, all while maintaining a charming, well-adjusted persona off-screen. The article highlights his career, personal depth, and upcoming projects, emphasizing his desire to connect through vulnerability and artistic expression.
This fall, theater enthusiasts can look forward to a diverse lineup of 30 upcoming plays and musicals, including revivals like Chess, new productions such as Versailles, and notable performances featuring stars like James Corden and Neil Patrick Harris, across various New York venues.
Jeffrey Seller, a prominent Broadway producer known for hits like Hamilton and Rent, shares his journey from a young theater enthusiast in Michigan to a key figure in contemporary musical theater, reflecting on his early experiences, his admiration for storytelling, and the legacy of influential works and artists like Jonathan Larson.
The 2025 Tony Awards will be held on June 8 at Radio City Music Hall, honoring Broadway's best plays and musicals, with 'Maybe Happy Ending' and 'Sunset Boulevard' as top contenders, amidst a season of record-breaking grossing but still recovering attendance and profitability.
The 2025 Tony Awards are expected to see wins for 'Maybe Happy Ending' as best new musical and 'Sunset Boulevard' as best musical revival, with close races in acting categories. 'Maybe Happy Ending' has a strong lead due to its original story and innovative production, while 'Sunset Boulevard' is favored for its transformative staging. The best play and play revival categories are highly competitive, with no clear frontrunners, and the leading actress in a musical race remains too close to call between Audra McDonald and Nicole Scherzinger.
The article provides a guide on how to watch 2025 Tony Award nominees and past winners online, including live broadcasts of 'Good Night, and Good Luck' on CNN and Max, and streaming options for 'Hamilton,' 'Girl from the North Country,' and 'Come From Away' on various platforms, ahead of the awards ceremony.
A statistical model based on historical data, precursor awards, critic predictions, and betting markets forecasts the winners of the 78th Tony Awards, highlighting favorites like 'Maybe Happy Ending' and 'Oh, Mary!', with predictions spanning categories from best play to technical awards, and noting the potential for a South Korean show to win best musical.
Broadway's opening week for the 2025-2026 season saw a slight decline in box office revenue but remains strong compared to last year, with several nominated productions experiencing varying financial performances ahead of the Tony Awards, which could influence future box office trends.
The musical film "Wicked" set a new November Monday box-office record with $15.8 million, surpassing previous records held by films like "Frozen II" and "The Hunger Games: Catching Fire." After four days, its domestic total reached $128.1 million, marking the best opening for a Broadway musical adaptation. Additionally, it was confirmed that stars Cynthia Erivo and Ariana Grande received equal pay for their roles. Meanwhile, "Gladiator II" earned $5.5 million on Monday, and "Moana 2" previews are underway, anticipating a strong Thanksgiving opening.
The film adaptation of 'Wicked' set a new November record with $15.8 million in Monday ticket sales, surpassing the previous record held by 'Frozen II'. Directed by Jon M. Chu, 'Wicked' has amassed $128.3 million domestically and is nearing $200 million globally. 'Gladiator II' also performed well, earning $5.5 million on Monday. The Thanksgiving week is proving lucrative for theaters, with 'Moana 2' expected to debut with record-breaking numbers, contributing to a strong holiday box office performance.
The film adaptation of the Broadway musical 'Wicked' has broken numerous box office records in its opening weekend, earning $114 million domestically and $164.2 million worldwide. It achieved the biggest global and domestic opening for a movie based on a Broadway show, surpassing previous records set by 'Les Miserables' and 'Into the Woods'. It also marked the largest opening for stars Ariana Grande and Cynthia Erivo, as well as director Jon M. Chu. Additionally, it set records for the biggest domestic previews and first day for a Broadway musical adaptation.
Universal's 'Wicked' adaptation opened to a record-setting $114 million in North America, marking the third biggest domestic debut of the year and the largest for a Broadway adaptation. Internationally, it added $50.2 million, totaling $164.2 million globally. Meanwhile, 'Gladiator II' debuted with $55.5 million domestically, performing well but below expectations. The film has grossed $221 million worldwide. Both films contributed to a strong box office weekend, with overall revenues reaching approximately $210 million, despite year-to-date sales lagging behind previous years.
Director Jon M. Chu's decision to split the musical 'Wicked' into two films is proving successful, with the first part set to open to $120 million at the domestic box office, breaking records for Broadway-to-screen adaptations. Chu, a long-time fan of the stage production, collaborated closely with the original creators to ensure the film's authenticity and depth, focusing on the central characters and themes. This approach contrasts with previous attempts to split films, such as the unsuccessful 'Divergent' series.