Tag

Materialists

All articles tagged with #materialists

‘Weapons’ Dominates Box Office with $200 Million and Top Spot

Originally Published 4 months ago — by Variety

The horror film 'Weapons' is nearing $200 million globally, while 'Materialists' has grossed $85 million worldwide. Warner Bros. films 'Superman' and 'F1: The Movie' have surpassed $600 million each, marking significant box office successes in 2025. 'Materialists,' a romantic comedy, continues to perform well internationally, highlighting its indie success.

Highlights and Controversies in 'Materialists' and Celebrity Box Office Success

Originally Published 6 months ago — by The New York Times

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Source: The New York Times

The article discusses how the explicit mention of Dakota Johnson's character's salary in the film 'Materialists' marks a significant shift in romantic comedy storytelling, reflecting contemporary realities of money and social class, and breaking traditional genre conventions by openly discussing income to highlight modern dating dynamics.

Exploring Modern Love and Matchmaking in 'Materialists'

Originally Published 6 months ago — by NPR

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Source: NPR

The article critiques Celine Song's film 'Materialists,' highlighting its ambitious ideas and problematic use of trauma, particularly a sexual assault subplot, which feels cynical and mishandled despite the film's high artistic aspirations and the director's potential for future success.

Celine Song’s ‘Materialists’ Redefines Modern Romance and Breaks Romcom Norms

Originally Published 6 months ago — by Vulture

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Source: Vulture

A real-life matchmaker reviews the film 'Materialists,' noting its satirical tone and highlighting the differences between cinematic portrayal and actual matchmaking practices, emphasizing the industry's move towards personalized, holistic approaches and the importance of vetting and understanding client needs.

Celine Song's 'Materialists' Explores Modern Dating and Celebrity Culture

Originally Published 7 months ago — by Variety

Celine Song's film 'Materialists' explores the brutal realities of modern dating through a romantic drama starring Dakota Johnson, Chris Evans, and Pedro Pascal, inspired by her experience as a matchmaker and classic romance films, emphasizing themes of love, commodification, and human connection.

‘How to Train Your Dragon’ Breaks Box Office Records with $84M U.S. Opening

Originally Published 7 months ago — by Variety

'How to Train Your Dragon' opened to an impressive $83 million domestically, surpassing expectations, and contributed to a strong worldwide total of nearly $198 million. The film's success is driven by family audiences and nostalgia, with a sequel already announced. Meanwhile, A24's 'Materialists' debuted at $12 million, exceeding projections, and other films like 'Lilo & Stitch' and 'Mission: Impossible' continue to perform well. Overall, the box office is up 23% from last year, with several major releases upcoming for the summer.

‘Materialists’: A Romantic Comedy That Defies Expectations

Originally Published 7 months ago — by Salon.com

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Source: Salon.com

'Materialists' by Celine Song defies traditional rom-com conventions by exploring complex themes of love, realism, and pragmatism through nuanced characters and a mature narrative, moving beyond simple wish-fulfillment to reflect adult experiences and emotional depth.

‘Materialists’ Sparks Romance and Star-Studded Expectations

Originally Published 7 months ago — by Rolling Stone

Chris Evans discusses his role in the romantic dramedy 'Materialists,' where he plays a vulnerable, struggling theater actor named John, highlighting his appreciation for more grounded, human roles and his experience working with director Celine Song. Evans also reflects on his acting career, directing ambitions, and the film's realistic portrayal of love and modern relationships.

‘Materialists’ Sparks Debate with Star-Studded Drama and Visual Flair

Originally Published 7 months ago — by The Ringer

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Source: The Ringer

The article criticizes the film 'Materialists' for falsely marketing itself as a rom-com, arguing that it is a serious, contemplative movie that explores love and societal structures rather than delivering the lighthearted, witty charm typical of traditional rom-coms. The author laments the loss of classic rom-coms from theaters and urges audiences not to be misled by marketing that exploits their nostalgia.