The Hollywood Bowl's three-night production of 'Jesus Christ Superstar' was a resounding success, highlighted by Cynthia Erivo's powerful and otherworldly portrayal of Jesus and Adam Lambert's energetic and gritty Judas. The show balanced concert and stage elements, emphasizing its rock roots with impressive vocals, dynamic choreography, and modern staging, making it a memorable and divine performance.
Cynthia Erivo leads a powerful LA revival of Jesus Christ Superstar, delivering a moving portrayal of Jesus with a compelling second act, supported by strong performances from Adam Lambert and Phillipa Soo, despite some staging and design shortcomings.
Photos from the sold-out Hollywood Bowl concert of Jesus Christ Superstar feature Cynthia Erivo as Jesus and Adam Lambert as Judas, with a star-studded cast including Phillipa Soo and Raúl Esparza, running through August 3, and directed by Sergio Trujillo.
Adam Lambert defends Cynthia Erivo's casting as Jesus in 'Jesus Christ Superstar' at the Hollywood Bowl, emphasizing the show's purpose to challenge and provoke, and supporting the idea of diverse representation in iconic roles despite some backlash.
John Stamos will replace the ill Josh Gad as King Herod in the Hollywood Bowl's production of 'Jesus Christ Superstar,' just hours before the show, after Gad contracted COVID-19. Stamos, a seasoned musician and actor, expressed his excitement and readiness to step into the role on short notice.
Josh Gad has withdrawn from the Hollywood Bowl's Jesus Christ Superstar concert due to COVID-19 concerns, with the show still scheduled for August 1-3 and other cast members, including Cynthia Erivo and Adam Lambert, set to perform.
Cynthia Erivo addresses criticism over her casting in 'Jesus Christ Superstar,' emphasizing the musical's inclusive and vibrant nature, and highlights her identity as queer while commenting on political attacks on the LGBTQ+ community. The production will run for three nights at the Hollywood Bowl from August 1-3, with notable directors and performers involved.
Belgian director Ivo van Hove's revival of "Jesus Christ Superstar" in Amsterdam showcases his signature aesthetic techniques but is deemed an odd pairing for the kitschy 1971 musical about the last days of Jesus's life. The production features a dark, featureless stage and an unconventional wardrobe for the characters, reflecting van Hove's reputation for psychologically intense re-imaginings of well-known works.
