Anita Loos, author of the classic novel 'Gentlemen Prefer Blondes,' is more than just that work; her broader literary contributions and her real-life friendships reflect her influence on women's history and culture, yet many of her other works remain to be rediscovered.
The article critiques CBS's new debate series 'Things That Matter,' funded by Bank of America and led by Bari Weiss, highlighting concerns about media bias, influence of wealthy elites like the Ellison family, and the focus on controversial topics like feminism, which the author suggests may serve the interests of powerful conservative figures rather than genuinely addressing women's issues.
'All's Fair' is a clumsy and condescending legal drama starring Kim Kardashian that attempts to parody girlboss feminism but falls flat with shallow characters, predictable plots, and a tone that assumes viewers will accept superficial stereotypes and sensationalism. The show features a mostly male creative team, with Kardashian in a role that requires little emotional depth, and it is criticized for its lack of nuance and over-the-top, exploitative storytelling.
Re-Encountering Bess Wohl’s 'Liberation' on Broadway highlights its powerful exploration of women's conversations and feminist history through innovative theater techniques, emphasizing listening and emotional transformation amidst social and political divisions.
The Girlfriend is a provocative, campy TV series that explores themes of feminism, generational conflict, and societal expectations through the contrasting perspectives of two women involved with the same man, blending high-trash melodrama with sharp social commentary.
Sabrina Carpenter's album 'Man's Best Friend' showcases her genre-fluid style and sharp wit, with themes of heterofatalism and gender roles, drawing comparisons to Dolly Parton and Marilyn Monroe. While the album features catchy tracks and campy humor, some songs struggle to maintain momentum, but overall it affirms Carpenter's resilience and evolving artistry.
Sabrina Carpenter was surprised by the backlash over her album cover for 'Man's Best Friend,' which she views as a statement on female control and choice, despite critics calling it regressive and offensive. She defends the cover as satire and emphasizes her music's themes of sexuality and humor, while critics argue it promotes harmful stereotypes. The album, produced with Jack Antonoff, has received positive reviews.
Keeley Hazell, former Page 3 model and actress, discusses her new memoir 'Everyone’s Seen My Tits,' where she openly shares her experiences with revenge porn, class struggles, and her journey towards understanding feminism and self-empowerment, emphasizing her story of social mobility and the importance of owning her past.
Helen Mirren expressed her belief that James Bond must be a man, stating that a woman in the role 'doesn't work,' despite her own feminist views, emphasizing the traditional gender portrayal of the iconic spy.
The article celebrates the anniversary of Ms magazine, highlighting its groundbreaking role in second-wave feminism, its impact on public discourse around women's rights, and the challenges it faced, including issues of diversity and controversial topics like pornography, with a focus on its legacy of activism and legislative change.
Sabrina Carpenter released an alternate black-and-white cover for her album 'Man's Best Friend,' which she claims is 'approved by God,' following online backlash over the original cover that sparked discussions about sex-positive feminism and male gaze. The singer addressed critics and emphasized the scrutiny women face today, while promoting her new album and single 'Manchild,' set to release on August 29.
Alanis Morissette reflects on her career, personal growth, and struggles with addiction, trauma, and societal expectations, emphasizing her journey towards self-acceptance and midlife liberation, while discussing her activism, family life, and upcoming Glastonbury performance.
Sabrina Carpenter's provocative album cover for 'Man's Best Friend' has sparked debate, with supporters claiming it is satirical and a critique of male gaze, while critics see it as degrading and a mockery of domestic violence. The controversy echoes past discussions about feminism and female sexuality in pop culture, highlighting ongoing tensions about empowerment, satire, and societal expectations.
The article compares classic and contemporary love stories, highlighting how modern films like 'Materialists' explore the complex and often transactional nature of love and marriage, especially the enduring allure of financial security and societal expectations, even in an era of gender equality. It suggests that despite progress, traditional desires for stability and status still influence romantic choices, and the film offers a nuanced, unromanticized view of modern relationships.
Norma Swenson, a co-author of the influential feminist health book 'Our Bodies, Ourselves' and a proponent of natural childbirth and women's rights, has died at age 93. Her work helped empower women to have a say in their health and childbirth choices, becoming a cultural touchstone in feminist and health communities.