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Dog Day Afternoon

All articles tagged with #dog day afternoon

theater28 minutes ago•480 min saved

Broadway's Dog Day Afternoon Reimagined as a Tender, Timely Heist

On Broadway, Stephen Adly Guirgis’s Dog Day Afternoon reimagines the 1975 classic as an actor-forward drama directed by Rupert Goold. Jon Bernthal’s Sonny Amato is charismatic and deeply felt, with Ebon Moss-Bachrach as Sal; the production foregrounds character, love, and political conscience rather than a simple heist. The show uses David Bowie cues and a New York–tinged sensibility to explore Sonny’s queer love for Leon and broader social stakes, including trans rights and economic inequality. While it departs from Lumet’s film, it remains a humane, timely portrait of people on the edge of the night.

via Vulture|

#dog-day-afternoon #ebon-moss-bachrach #jon-bernthal

arts1 hour ago•4 min saved

Broadway's Dog Day Afternoon Misfires, Trashing Tension for Laughs

A negative Broadway review of Rupert Goold and Stephen Adly Guirgis's screen-to-stage adaptation of Dog Day Afternoon, criticizing its tonal mismatch and lack of suspense, reduced character depth, mishandled queer storylines, and overreliance on slapstick; while the production has strong scenic design, it ultimately offers little of the original’s intensity, ending up as a hammy, nostalgia-driven romp that fails to engage.

via USA Today|

#adaptation #arts #broadway

theater3 hours ago•22 min saved

Broadway's Dog Day Afternoon: Strong Stagecraft, But Not The Film’s Haunting Power

A Broadway transfer of Dog Day Afternoon brings Jon Bernthal to the lead as Sonny in Rupert Goold’s production, using a rotating bank-set to stage the hostage drama with taut stagecraft. The adaptation offers a more explicit, sentimental take on Sonny and Leon and translates the film’s energy to live theater, but it ultimately cannot match Sidney Lumet’s movie for haunting power or ironic bite.

via Variety|

#al-pacino #broadway #dog-day-afternoon

theater9 hours ago•22 min saved

Bernthal’s Broadway Dog Day Afternoon Marred by Tone and Tempo

A Broadway adaptation of Dog Day Afternoon, led by Jon Bernthal and directed by Rupert Goold with a script by Stephen Adly Guirgis, is criticized for turning the film’s tense, human-centered bank heist story into a broad, misfired farce. While Bernthal shows occasional humanity, the production is described as a “garish disaster” of tone and tempo, with miscast performances, clunky direction, and a crowd-chant Attica moment that undercuts Lumet’s original energy.

via The Hollywood Reporter|

#broadway #dog-day-afternoon #jon-bernthal