Broadway's Dog Day Afternoon: Strong Stagecraft, But Not The Film’s Haunting Power

TL;DR Summary
A Broadway transfer of Dog Day Afternoon brings Jon Bernthal to the lead as Sonny in Rupert Goold’s production, using a rotating bank-set to stage the hostage drama with taut stagecraft. The adaptation offers a more explicit, sentimental take on Sonny and Leon and translates the film’s energy to live theater, but it ultimately cannot match Sidney Lumet’s movie for haunting power or ironic bite.
- 'Dog Day Afternoon' Broadway Review: Can't Rival the Movie's Power Variety
- ‘Dog Day Afternoon’ Review: A 1970s Classic, Onstage and Underbaked The New York Times
- 'Dog Day Afternoon' Theater Review: Jon Bernthal Leads Broadway Take The Hollywood Reporter
- ‘Dog Day Afternoon’ Review: A Robbery Revisited on Broadway WSJ
- Did Dog Day Afternoon on Broadway Make Reviewers Shout 'Attica'? Playbill
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