Da'Vine Joy Randolph, the best supporting actress winner, reflects on her Oscar win, her grandmother's influence, and her commitment to honoring women of color in her roles. She discusses her upbringing in Philadelphia, her approach to fashion, and her gratitude for her publicist and acting teacher. Randolph emphasizes the importance of diversity in storytelling and her desire to play a variety of roles, while staying true to herself despite newfound success.
Da’Vine Joy Randolph tearfully accepted the Academy Award for best supporting actress for her role as Mary Lamb in "The Holdovers," becoming one of fewer than a dozen Black women to earn this distinction in the Oscars' history. Her portrayal of a grieving boarding school head cook in the 1970s film has garnered widespread recognition, and she has also received accolades for her role as music legend Mahalia Jackson in "Rustin."
Da’Vine Joy Randolph won her first Oscar for Best Supporting Actress for her role in "The Holdovers," portraying a cafeteria matriarch dealing with loss at a boarding school during the holiday season. This win follows her victories at the Golden Globes, Critics Choice Awards, BAFTAs, and Screen Actors Guild Awards. In her emotional acceptance speech, Randolph expressed gratitude for being seen and accepted for being herself.
The Oscar-nominated film "The Holdovers" is facing controversy just hours before the ceremony, as it has been accused of line-by-line plagiarism in its screenplay. Writer Simon Stephenson alleges that the script bears striking similarities to his unproduced 2013 screenplay "Frisco." The accusations have been presented to the Writers Guild of America, and if "The Holdovers" wins any major Oscars, it will likely be overshadowed by this controversy.
The writer of 'Luca' and 'Paddington 2', Simon Stephenson, has accused Alexander Payne's 'The Holdovers' of plagiarizing his 2013 screenplay 'Frisco', claiming "line-by-line" theft. Stephenson alleges that Payne had previously received the script for 'Frisco' in 2013 and 2019, before collaborating with writer David Hemingson on 'The Holdovers'. Despite engaging in discussions with the Writers Guild of America, Stephenson was directed to pursue a lawsuit as the most viable option. 'The Holdovers' is up for five Academy Awards, including Best Original Screenplay, but the current status of the case remains unclear. Payne and Hemingson declined to comment, while representatives for both parties did not immediately respond to requests for comment.
The Holdovers, a film written by David Hemingson and nominated for best original screenplay at the Oscars, is facing accusations of plagiarism from writer Simon Stephenson, known for Luca and Paddington 2. Stephenson claims that The Holdovers bears striking similarities to his unproduced screenplay Frisco, which landed on the Black List in 2013. He has prepared documents comparing scenes and structure, alleging that the entirety of The Holdovers has been copied from Frisco. Representatives for the writers and the WGA have been contacted for comment.
Screenwriter Simon Stephenson alleges that the Oscar-nominated screenplay for "The Holdovers" is extremely similar to his own 2013 Black List spec script, "Frisco," and suggests that director Alexander Payne likely read his script. The credited screenwriter for "The Holdovers," David Hemingson, has a background in TV writing and producing. Stephenson's script, "Frisco," had been submitted before Payne began work on "The Holdovers," and there is a paper trail of emails suggesting Payne was aware of it. The WGA has been contacted about the claim, and Payne has stated that he was involved in shaping the "Holdovers" script despite not taking a screen credit.
Screenwriter Simon Stephenson has accused the writer of "The Holdovers," David Hemingson, and director Alexander Payne of plagiarizing his screenplay "Frisco" for the critically acclaimed film. Despite evidence and email exchanges, the Writers Guild of America has not resolved the matter, prompting Stephenson to seek help from the board. The case has sparked internal debate within the guild, but it remains unclear where it currently stands. The allegations have surfaced during the Oscar campaign for "The Holdovers," adding an awkward layer to the situation.
Oppenheimer and The Holdovers took top film honors at the 74th ACE Eddie Awards, with Oppenheimer winning Best Edited Feature Film (Dramatic) and The Holdovers landing the top award for Best Edited Feature Film (Comedy). TV winners included The Last of Us and The Bear, while a quartet of honorees received career awards from the American Cinema Editors. The ACE Eddie Awards, celebrating the art and science of the editing profession, have been presented annually since 1951.
Universal’s Oppenheimer and Focus Features’ The Holdovers were among the top winners at the 74th Annual ACE Eddie Awards, with Oppenheimer editor Jennifer Lame and The Holdovers editor Kevin Tent taking home top theatrical prizes. Other winners included Spider-Man: Across the Spider-Verse, Still: A Michael J. Fox Movie, and Taylor Swift: The Eras Tour. Additionally, honorary awards were presented to director John Waters, Kate Amend, Walter Murch, and Stephen Lovejoy.
"Past Lives," "The Holdovers," and "American Fiction" were the big winners at the 2024 Film Independent Spirit Awards, with "Past Lives" winning best feature and best director, "The Holdovers" taking home three awards, and "American Fiction" winning for best lead performance and best screenplay. On the television side, Netflix's "Beef" won for best new scripted series, with Ali Wong and Nick Offerman also taking home acting awards. The awards show, hosted by Aidy Bryant, was disrupted by protestors calling for a cease-fire in Gaza, with director Babak Jalali expressing his inspiration from their chants during his acceptance speech.
The Oscars predictions indicate potential multiple victories for "Oppenheimer" and "The Holdovers," with Christopher Nolan expected to win for "Oppenheimer" and Lily Gladstone predicted to win for "Killers of the Flower Moon." Paul Giamatti and Da'Vine Joy Randolph are also predicted to win for "The Holdovers," while Robert Downey Jr. is expected to win for his role in a historical biopic. Despite some notable snubs, the Oscars race is shaping up to be an exciting and competitive event.
Da’Vine Joy Randolph won the supporting actress trophy at the 2024 BAFTA Awards for her role in "The Holdovers," delivering an emotional acceptance speech expressing the significance of her character and honoring her co-stars and director. Her continued success during award season includes previous wins at the Golden Globes and Critics Choice Awards, with nominations for an Oscar and Screen Actors Guild Award.
Paul Giamatti, known for his versatile and natural on-screen presence, reflects on his career, including his recent Oscar nomination for "The Holdovers." Despite past snubs and missed opportunities, Giamatti remains humble and dedicated to his craft, receiving praise from co-stars and directors alike. His commitment to his roles, including a recent portrayal of a New England boarding schoolteacher with a lazy eye, showcases his depth and range as an actor. Giamatti's impact on the industry and his ability to connect with audiences across generations solidify his status as a respected and evolving presence in Hollywood.
Da’Vine Joy Randolph, star of "The Holdovers," has been receiving major attention and accolades during awards season, including the Golden Globe and Critics Choice Award. However, she admits to feeling overwhelmed by the spotlight and the demands of the arduous Oscar campaign, which includes numerous events and appearances. Despite her previous successes, Randolph is still adjusting to the intense glare of the awards spotlight and the impact it has on her career.
