The Off Broadway play 'Prince Faggot' is a provocative, bold, and surprisingly compelling exploration of sexuality, monarchy, and societal hierarchies, using satire and vivid staging to critique the dehumanizing aspects of royal privilege and the long history of false exceptionalism, while also challenging perceptions of queer identity and race.
Jean Smart delivers a powerful and nuanced performance in 'Call Me Izzy' on Broadway, portraying a Louisiana housewife and poet battling an abusive marriage, though the play's contrived plot and melodramatic elements somewhat undermine its emotional impact.
The revival of Sarah Ruhl's 'Eurydice' at Signature Theater features Maya Hawke as Eurydice, exploring themes of love, loss, and memory through poetic storytelling and striking visuals, emphasizing the bond between Eurydice and her father amid the myth's tragic backdrop.
Samm-Art Williams’s 1979 play "Home" returns to Broadway with a mixed reception. While Tory Kittles delivers a compelling performance as Cephus Miles, the direction by Kenny Leon lacks intimacy and clear vision, resulting in uneven pacing. The play explores themes of Black migration, faith, and land ownership with humor and whimsy, but some character portrayals and repetitive jabs fall flat. Despite its flaws, "Home" remains a humorous and mythic exploration of the Black experience.