Bloodline Finds a Voice in a Fragmented Liberian-American Identity
Mon Rovîa’s Bloodline blends indie-folk with Afro-Appalachian influences to explore his Liberian upbringing and American adolescence, using intimate songs like “Whose Face Am I” and socially conscious pieces like “Day at the Soccer Fields” to address trauma, war, and identity across 16 tracks. While a few moments lean on familiar imagery, the album’s core tension—finding peace in a fractured heritage—emerges as a bold debut with accessible, poignant choruses and a hopeful standout in “Pray the Devil Back to Hell.”
