Bob Marley's biopic "One Love" continues to dominate the global box office, crossing $100 million after 10 days, while "Madame Web" struggles in its second week. "Demon Slayer" and "Ordinary Angels" are expected to perform well, but "Drive-Away Dolls" faces challenges despite its star-studded cast. Overall, the domestic box office has been impacted by a lack of new releases, but the upcoming release of "Dune: Part Two" is expected to boost the industry.
Paramount's "Bob Marley: One Love" remains the top film at the domestic box office, surpassing new releases including "Demon Slayer," "Ordinary Angels," and "Drive-Away Dolls." "One Love" has earned over $61 million in North American theaters, while "Demon Slayer" is eyeing a debut north of $10 million. "Ordinary Angels" has positive reviews and hopes for a $5-7 million debut, while "Drive-Away Dolls" is struggling with a disappointing opening. Sony's "Madame Web" is also facing challenges, and upcoming releases like "Dune: Part Two" are eagerly anticipated by movie theaters.
"Drive-Away Dolls," a new crime caper film, features a plot centered around a case of sex toys molded from the genitalia of blackmailed politicians and tycoons. The star-studded movie includes cameos from A-listers such as Miley Cyrus, who brought her real-life passion for sex toys to her role, and Pedro Pascal, who loved his gruesome cameo as a dildo collector. The film, directed by Oscar winner Ethan Coen and co-written by his wife Tricia Cooke, also features a young Matt Damon lookalike and is breaking new ground with its raunchy and offbeat comedy.
The film industry is abuzz with excitement for the upcoming Dune: Part Two, which picks up right where its predecessor left off, and the long-awaited Borderlands adaptation starring Cate Blanchett. Additionally, the directorial debut of Ethan Coen in Drive-Away Dolls and the resurgence of interest in the Redwall franchise with new video game releases have captured attention. Meanwhile, the Oscar nominees luncheon brought together talented filmmakers, including the surreal meeting between Takashi Yamazaki and Steven Spielberg.
Filmmakers Ethan Coen and Tricia Cooke discuss their audacious lesbian road movie "Drive-Away Dolls," inspired by B-movie classics and featuring two young women on a wild adventure. Coen and Cooke share their inspirations, explain their collaborative process, and discuss the challenges and creative decisions behind the making of the film. They also reveal their upcoming project "Honey Don't," a contemporary private eye crime movie.
"Drive-Away Dolls," directed by Ethan Coen, is a campy and comedic romp that stands out as the horniest and goofiest film in the Coen Brothers' repertoire. The movie follows two lesbian protagonists on a wild road trip from Philadelphia to Tallahassee in 1999, featuring zany action, campy dialogue, and a liberal cultural analysis buried beneath the layers of humor. With broad gags and theater-kid fun, the film offers a breezy 84-minute comedy that's both entertaining and open to deeper interpretation.
"Drive-Away Dolls," directed by Ethan Coen without his brother Joel, follows two friends on a road trip from Philadelphia to Florida as they come into possession of a briefcase wanted by dangerous men. The film, written by Coen and his wife, Tricia Cooke, features highbrow references and petty crimes but ultimately falls short with sluggish pacing, overblown performances, and an inert storyline, despite attempts at mixing genres and layered references.
Paramount's "Bob Marley: One Love" is expected to dominate the box office with a projected $15M in its second weekend, while Sony/Marvel's "Madame Web" may see a 55% drop with around $6.8M. Other new releases include "Demon Slayer: Kimetsu No Yaiba -To The Hashira Training" and "Ordinary Angels," with the former expected to perform the best. "Drive-Away Dolls" is anticipated to struggle at the box office.
"Drive-Away Dolls," Ethan Coen's solo fiction directorial debut, is a fast-paced, bawdy road comedy that falls short of expectations, featuring B-movie riffs, lesbian raunch, and retreads of Coen classics. Starring Margaret Qualley and Beanie Feldstein, the film follows a sexually voracious free spirit and her uptight roommate as they get entangled in a crime organization's pursuit. Despite committed performances, the movie's gratuitous and forced humor, overcompensation, and frenetic pacing make it a forgettable and disposable cinematic experience.
Drive-Away Dolls, a film by Ethan Coen and co-written by Tricia Cooke, combines tongue-in-cheek lesbian humor with a signature Coen bumbling-criminals plot, featuring Margaret Qualley and Geraldine Viswanathan as mismatched pals on a distraction-prone, comically violent road trip to Florida. The film's bawdy, quippy, and slick nature sometimes leads to it slipping and face-planting, but overall, it's a raunchy, dizzy road-trip comedy that's a little too slick for its own good.
Drive-Away Dolls, directed by Ethan Coen and co-written with Tricia Cooke, features Margaret Qualley, Geraldine Viswanathan, and Beanie Feldstein in a lesbian crime caper. The film, reminiscent of Coen's stage productions, is described as lightweight and overly pleased with itself, with strained humor and forced transgressive spirit. The plot revolves around two women unwittingly in possession of a briefcase with sensitive contents that could end a prominent Republican political career. While the film's outrageousness feels fabricated, Beanie Feldstein's performance stands out as the funniest element in an otherwise strained and spotty comedy.
Director Ethan Coen, in collaboration with Tricia Cooke, delivers a raunchy and violent lesbian-centered crime caper comedy in "Drive-Away Dolls," paying homage to hard R drive-in B movies. The film follows a free-spirited lesbian, Jamie, and her uptight friend, Marian, on a road trip with a dodgy car and a valuable briefcase in the trunk, leading to a chase involving bad dudes, a senator, and a manhood-related secret. Despite being a disposable and forgettable effort, the film retains the quirkiness of the Coen brand and is influenced in style by Tricia Cooke, making it worth a watch for fans of the Coen Brothers' work.
"Drive-Away Dolls," directed by Ethan Coen, is a crime-speckled road-trip joyride about two innocent young women on a drive-away car trip to Tallahassee, unaware of the special goods in the trunk. The film is a lighthearted caper reminiscent of Coen brothers' style, featuring a queer libertine dynamo character, Jamie, portrayed by Margaret Qualley. While the movie showcases indie escapist moviemaking, it lacks an abundance of style and takes a turn into didactic silliness towards the end.
Focus Features has released the trailer for Ethan Coen's solo directorial debut, "Drive-Away Dolls," a comedy caper about two friends on a road trip who discover dangerous criminals are after the valuables in their rental car's trunk. The film stars Margaret Qualley and Geraldine Viswanathan and features the combination of absurd comedy, violence, and inept criminals typical of earlier Coen Brothers films. "Drive-Away Dolls" will hit theaters on September 22, 2023, and is produced by Coen, Tricia Cooke, Robert Graf, Tim Bevan, and Eric Fellner.
Ethan Coen's upcoming road trip comedy "Drive-Away Dolls" dropped its first trailer, featuring Margaret Qualley, Geraldine Viswanathan, Pedro Pascal, Matt Damon, Beanie Feldstein, Colman Domingo, and Annie Gonzalez. The film follows two friends on an impromptu road trip to Tallahassee, where they cross paths with a group of inept criminals. "Drive-Away Dolls" marks Coen's first narrative feature since taking an indefinite hiatus from making movies with his brother Joel. The film will be released in theaters on September 22.
