All articles tagged with #diablo cody
Originally Published 1 year ago — by Dark Horizons
Jennifer Aniston is set to produce a reimagining of the 1980 office comedy "9 to 5" with a script by Diablo Cody. Original star Lily Tomlin expressed skepticism about the reboot, noting the challenges of adapting the story to modern work environments. Tomlin will also appear in an upcoming Netflix documentary about LGBTQ+ comedians.
Originally Published 1 year ago — by Variety
Zelda Williams discusses her feature directorial debut "Lisa Frankenstein," a comedic homage to 1980s slasher films written by Diablo Cody and starring Kathryn Newton and Cole Sprouse. Williams shares insights into the film's production, including the challenges of directing a romantic comedy during the pandemic and the decision to tone down the R-rated content. She also reflects on her career, her famous father Robin Williams, and her disinterest in acting, while expressing her love for filmmaking and her dream project.
Originally Published 1 year ago — by USA TODAY
Diablo Cody, the writer of "Lisa Frankenstein," explains the ending of the film, where the protagonist, Lisa, joins her undead lover in death after a series of events involving murder and self-discovery. Originally, the ending was meant to show a cycle of grief and resurrection, but the director suggested a reunion between Lisa and the Creature, leaving the conclusion ambiguous.
Originally Published 1 year ago — by IGN
Lisa Frankenstein, a film directed by Zelda Williams and written by Diablo Cody, explores the complex heroine of a lonely teen girl who raises a boyfriend from the dead. The story dissects Pygmalion-esque tropes and subverts the concept of creating the "perfect woman," placing the power of creation in a woman's hands. The film delves into themes of grief, societal expectations of women, and the dynamics of love and devotion, ultimately presenting a twisted fairy tale with a rare and surprising happy ending for its protagonist.
Originally Published 1 year ago — by Hollywood Reporter
Diablo Cody and Zelda Williams discuss their film "Lisa Frankenstein," including the R-rated cut of a bold scene, the resurgence of Frankenstein lore in cinema, and their collaboration on the project. They also share insights into the film's unique take on the Frankenstein story, the challenges of directing a mostly silent character, and the importance of staying true to the 1980s setting in the dialogue. Additionally, Cody expresses interest in reuniting with Jason Reitman and Charlize Theron for a future project, while Williams reflects on the memorable moments from making her directorial debut.
Originally Published 1 year ago — by IGN
Lisa Frankenstein, a horror-comedy set in the '80s, follows the story of Lisa Swallows as she navigates high school and a reanimated corpse romance. Written by Diablo Cody and directed by Zelda Williams, the film pays homage to '80s and '90s cinema with its quirky and campy style. While not as memorable as the films it references, Lisa Frankenstein offers gory fun, thanks to Kathryn Newton's electric lead performance and Cole Sprouse's portrayal of the reanimated corpse.
Originally Published 1 year ago — by USA TODAY
A resurgence of Frankenstein-themed films is reclaiming Mary Shelley's classic tale with elements of female empowerment and modern fears. "Lisa Frankenstein," a horror comedy, features a goth girl reanimating a Victorian man using a malfunctioning tanning bed, while "Poor Things" and an upcoming Netflix adaptation also offer new perspectives on the story. These retellings explore themes of female narratives, technological fears, and desire, reflecting the enduring allure of playing God and creating life more than 200 years after the original novel was published.
Originally Published 1 year ago — by The Washington Post
"Lisa Frankenstein" is a forgettable and regrettable teen comedy starring Kathryn Newton as a high school misfit who befriends a reanimated corpse. The film, set in 1989, is filled with nods to the time period and features a soundtrack of synth-pop one-hit wonders. However, the screenplay, written by Diablo Cody, is criticized for its unfunny humor and dated approach to feminism. Despite some stylized sequences, the movie is deemed gratingly self-amused and lazy, lacking the cult potential of Cody's previous work "Jennifer's Body."
Originally Published 1 year ago — by Roger Ebert
"Lisa Frankenstein" fails to deliver as a genre-bending horror-romance-comedy, despite the promising combination of writer Diablo Cody, director Zelda Williams, and lead actress Kathryn Newton. The film's timid script and flat direction result in a lackluster execution, failing to capture the desired blend of comedy, coming-of-age, and love story. While the script nods to Mary Shelley's classic with an '80s twist, the film feels dated, monotonous, and lacking in excitement, ultimately falling short of its potential as a timeless teen flick.
Originally Published 1 year ago — by Hollywood Reporter
"Lisa Frankenstein" is a retro horror-comedy-romance film directed by Zelda Williams and written by Diablo Cody, featuring Kathryn Newton and Cole Sprouse. The movie, positioned as a Valentine’s Day date movie for young audiences, follows a high-school outsider who summons a Victorian-era corpse from the grave. While it delivers some funny lines and nostalgic '80s elements, the clunky direction and lack of narrative momentum hinder its potential. The film's attempt to celebrate the defiant weirdo rising above high school conformity falls short, and the characters feel underdeveloped despite the talented cast.
Originally Published 1 year ago — by Variety
"Lisa Frankenstein" is a horror comedy that attempts to blend horror and humor but falls short due to its outdated and overused tropes. Written by Diablo Cody, the film follows the story of Lisa Swallows, a teenage outsider who gains confidence with the help of her undead boyfriend/creature. Despite its attempts at edginess, the movie fails to deliver genuine scares or laughs, feeling more like an overly complicated SNL sketch.
Originally Published 1 year ago — by The A.V. Club
Screenwriter Diablo Cody returns to teen girl horror with the film Lisa Frankenstein, a pastel gothic ode to '80s teen girl movies and undead monsters, directed by Zelda Williams. The film follows Lisa Swallows, played by Kathryn Newton, as she befriends a reanimated corpse, played by Cole Sprouse, and explores themes of adolescent emotions, grief, and dark impulses with a darkly comic tone. Lisa Frankenstein is hailed as a timeless and original take on teen angst, delivering a blend of high school drama and bloody body horror hijinks, and is expected to be one of the funniest films of the year.
Originally Published 1 year ago — by Deadline
Diablo Cody, the writer of Jennifer's Body, has declared that her new film, Lisa Frankenstein, takes place in the same universe as Jennifer's Body. She hopes this will give her the push needed for a Jennifer's Body reboot, as the original film was initially a commercial and critical disaster but has since found an audience and appreciation. Inspired by Mary Shelley's novel, Lisa Frankenstein follows a teenage goth girl who reanimates a Victorian-era corpse and works to make him the man of her dreams.
Originally Published 1 year ago — by Rolling Stone
Zelda Williams, daughter of Robin Williams, makes her feature directorial debut with Lisa Frankenstein, a horror comedy written by Diablo Cody. The film is an Eighties retelling of the Mary Shelley classic and follows a high school outcast who accidentally brings a hot Victorian corpse back from the dead. Williams, influenced by horror films and Eighties movies, aims to capture the unhinged, unobstructed creative and colorful wildness of that era. She found solace in directing after her father's death and has a deep understanding of the material, impressing Cody and her mentor Scott Derrickson. The film pays homage to her father and explores themes of grief and humor in darkness.
Originally Published 1 year ago — by TMZ
Diablo Cody expressed in an interview that she would trade her Oscar for the box office success of a "Barbie"-level movie, following the snub of Margot Robbie and Greta Gerwig at the Oscars. She clarified that she meant no disrespect to the Academy but emphasized the allure of a billion-dollar movie. Cody, who previously worked on a "Barbie" project, also noted that both Robbie and Gerwig received nominations in other categories, and the controversy has sparked discussions about sexism in voting.