"Cinematographer Masters Diverse Visuals in Ferrari Biopic and Thriller Without Green Screens"

Erik Messerschmidt, the cinematographer for Michael Mann's "Ferrari" and David Fincher's "The Killer," discusses the distinct visual styles he created for each film. "Ferrari" combines classical aesthetics with high-speed racing sequences, while "The Killer" features a precise, controlled look reflecting the protagonist's nature. Messerschmidt's work showcases his versatility in adapting to different directors' visions, employing techniques ranging from Renaissance painting references to innovative camera technology to capture the essence of each story.